Can You See Me? Do I Want You To?

As I spend time traveling back and forth between Boston and New York, I’ve seen a lot of people of different experiences. Black, white, doctor, lawyer, accountant, musician, rich, poor; I’ve seen them all. Each person is the product of his or her own unique history.

As I see each of these people, as I travel with them and share the streets on which I walk with them, I often feel like I want them to recognize me. I see Jewish couples walking down the street, clearly religious Jewish couples (the women in skirts and hats or sheitels, the men in kippot), and I wish that they could just as easily recognize me as Jewish. I stand next to a man boarding the bus with his trombone in tow, and I hear the echo inside of my head, “I’m a musician, too! I love music! I wish he would see me and talk to me.”

I am a young woman who loves being Jewish, who loves music, who loves art, who loves being silly and talking to people. At this point in my life, the only part of that whole set that strangers can outwardly see is that I’m a woman. And even then, in this day and age, does not mean that I have anything in common with the woman next to me. Yes, I frequently wear a necklace around my neck that has my name spelled in Hebrew; and on Shabbat perhaps I’m recognizably Jewish (though strangely, based on the kippah that I often wear). I occasionally wear earrings with music notes dangling from my ears. I sometimes rehearse music riding the subway on the way to a rehearsal. I have also had to travel with my guitar recently, back and forth from school this semester. All of these identify who I am; but what about when I am not defined by all of that? What about when I am walking down the street in jeans and a hooded sweatshirt? How recognizable am I? And would it be to my advantage or disadvantage that others could recognize me and place me into a category like the categories in which I have placed the people who surround me?

For a while in high school and at the beginning of college, I toyed with the idea of wearing long skirts all the time, adopting garb that would identify me, on the outside, as Jewish. Ultimately for practicality’s sake, I decided against converting my whole wardrobe in the end. However, I am left with a fascinating insight into the world in which I live, after meditating on my own thought process:

The fact that I could even consider consciously identifying myself in public as Jewish says something profound about the American society in which I live: I do not have to fear that others might recognize me as Jewish.

For whatever reason, I often have great conversations with cab drivers, internationally. In one such interesting conversation, sometime this fall, I asked a cab driver in Boston if he could please drive me to the Jewish Community Center in Newton, MA. He asked me if I was Jewish, to which I honestly answered, “yes”. Turns out, this cab driver happened to be a Russian Jewish immigrant to the United States, having survived Nazism and Communism in Russia. He said to me, “You don’t know how lucky you are. Someone asks you if you are Jewish, and you don’t worry that the one who is asking is going to beat you up if you say ‘yes’. That is why I moved here. Because that it what I want for my children.” As he drove, he and I continued to talk about the virtues of having grown up in a world that allows me to be fearless, that allows me not to assume the worst when someone simply questions a part of my identity, as they had to in Eastern Europe just sixty years ago.

As usual, the question remains unanswered. Do I want to be recognizable? In this day and age, I can be, without being terrified that something awful will come of it. Do I want people to be able to look at me and read my identity like a piece of newspaper? Well, maybe not. Perhaps that is the joy of getting to know people: you can’t really tell who they are without exploring a bit under their skin first. You can’t easily assume anything about others before you have said “hello”. Maybe, then, in different contexts it is nice to be identified, but in other contexts, it’s good just to have something to say after you’ve made first introductions. In a day and age that I sit and ponder how society looks at me, I am thankful that at least it isn’t any cause for concern.

A Woman in T’fillin: Must She Be a Lesbian?

One of the things I love about my classes at Boston University is the time it gives me to think about interesting philosophical issues, many of which have a very personal reality in my life. You’ve seen the fruits of these thoughts in some of my previous posts. This time was one of many times I’ve found myself writing little comments in the margins of my class notes, in “Gender and Judaism” with Professor Deeana Klepper.

In class, we’ve been discussing a fascinating issue: Torah as the “Other Woman”. Contrary to mainstream religious Christian beliefs that chastity is the ideal, Talmudic and Kabbalistic literature indicate that sex is not just a “necessary evil,” but that it is rather a duty that a husband performs for his wife. Sex, when done properly and with the correct intent, of course, brings new life into the world, and is therefore an inherently holy act — one of the holiest in which a layperson can engage. However, Torah is still the “Other Woman”. Or is a man’s wife the “Other Woman,” with whom he cheats on Lady Torah? It’s a fascinating discussion, completely unanswerable. But, once again, fun to think about.

But of course, that isn’t my point in this musing, as you may have already noticed in my title.
The dangerous question: Must a woman in t’fillin be a lesbian?

You may be reading this and asking, “What the H–?”. The question is designed to do that, I’ll admit; I mean it to elicit that response because that’s precisely the response I had when I first read our class materials and found this to be a necessary question. You may say to me, “Hinda, what does Torah as the ‘Other Woman’ have to do with women laying t’fillin, and being lesbians?” I’ll tell you.

Check out the series of b’rachot [blessings] and quotes a man traditionally says in the morning when putting on t’fillin:

ברוך אתה ה’ אלוקינו מלך העולם, אשר קדשנו במצוותיו וציונו להניח תפילין

Blessed are You, God, King of the Universe, who has sanctified us in His mitzvot and has commanded us to lay our t’fillin.

ברוך אתה ה’ אלוקינו מלך העולם, אשר קדשנו במצוותיו וציונו על מצוות תפילין

Blessed are You, God, King of the Universe, who has sanctified us in His mitzvot and has commanded us in the mitzvah of t’fillin.

ברוך שם כבוד מלכותו לעולם ועד

Blessed is the name of the honor of His kingship for all time.

The above statements seem self-explanatory. The first occurs while wrapping the shel yad t’fillin on the arm, the second and third while he places the shel rosh t’fillin between his eyes and aligns the knot on the base of his skull. But take a look at the psukim that are said when he wraps the shel yad t’fillin around his middle finger:

וארשתיך לי לעולם

And you are betrothed unto me forever.

וארשתיך לי בחסד וברחמים

And you are betrothed unto me in kindness and in mercy.

וארשתיך לי באמונה וידעת את י-הוה

And you are betrothed unto me in belief and the knowledge of God.>.

Well that’s interesting! Using the word וארשתיך [ve’erastich], meaning “and you are betrothed,” grammatically must have a woman as the indirect object. Who is being betrothed to whom in this case? It seems that the act of laying t’fillin, and specifically wrapping the leather strap three times around the middle finger, is a “renewal of vows” that occurs daily in the life of a male Jew. Given that the time of prayer is traditionally regarded as a time to push all sexual desire from the male mind, perhaps it is here that the male pushes the thoughts of his wife from his mind and is free to allow and affirm his desire for Lady Torah, his mistress.

Perhaps I’ll develop this thought more at a later date. However, I do wish to explore what the above problem means for those of us women who lay t’fillin every day (or who feel obligated in the mitzvah). What does it mean for us? Clearly we as women have a great commitment to Torah and t’filah [prayer], but the idea that we must be betrothed to Lady Torah in order to fulfill the mitzvah, or as a result of fulfilling the mitzvah, is problematic. On the one hand, I am a proponent of sticking to original liturgy. I do not like the addition of the matriarchs into our Amidah prayer, and I don’t condone a change in the Hineni on the High Holidays when I lead those services, even though it professes that the ideal leader of a congregation has “a pleasant voice,” a “long beard,” and is “learned in the ways of the world.” I don’t like when our lengthy tradition of blessings and prayers is tainted by the ungendering or, worse, the change of gender of God in our prayers from Male to Neuter (the so-called “God tense”) or from Male to Female, respectively.

Calling God “He” does not upset my concept of Him, nor my concept of my own self-image as a woman who believes in God. In fact, I might say that if male and female are made to complete each other, then perhaps I as a woman fulfill a role that completes God. While both versions of the Creation story in our Bible (Genesis 1-2:4, Genesis 2) are significantly different from each other, they both culminate with the creation of Woman; perhaps this is the key support for Woman’s ability to be God’s complement as well as Man’s.

All the ranting in the world won’t solve the problem I’ve posed. Am I, in my own love affair with Torah, proclaiming myself a lesbian? Must Torah be “Lady Torah,” as I have labeled it, my tongue in my cheek? What is our intent as Jews in laying t’fillin? More importanty perhaps, what is our intent as women laying t’fillin? Is it just because men told us in the past that we couldn’t, or shouldn’t, and we use it as a form of rebellion? If that is a woman’s rationale for laying t’fillin, perhaps she should reconsider. If I as a woman, in laying t’fillin, am renewing my vows of betrothal with Torah and/or with God, how do I express that as a woman, without being problematic?

As I have already stated, I am not one to advocate for change in liturgy, most of the time. But perhaps, in this case, if we want to find a way for women to ceremoniously lay t’fillin without needing to step out of some proverbial closet, we need to find a different recitation to replace these inherently heterosexual, masculine vows.

When Passion Becomes a Commodity

I love music — singing, playing, and watching conductors are all parts of that love, among other things. I sing because it changes my world, however temporarily; I sing because it brightens my day, soothes my soul, and heals my wounds. I have a passion for the music that I don’t have for many other things. Music and I have a great reciprocal relationship: I tend to it, and it tends to me.

As I think about pursuing a career in music, I must ponder the question: what happens when music becomes a commodity? What happens when a person sings or plays so much that the music no longer brings her that joy, that meaning, and instead brings her disdain and arrogance?

This past weekend I had the great opportunity to speak with many different people about their thoughts on music. I was intrigued (I will perhaps write later about last weekend, but I don’t have time for that right now.). I had the opportunity to watch a variety of conductors and musicians perform works that shed so much light on the world in which we currently live. The perfect harmony of the old and the new, in song. When speaking with one woman why she didn’t want to perform with us in Carnegie Hall next week, even though she would have been able had she wanted to, she responded, “When I perform in a choir, I get paid to do it. It’s not worth my time to sing a choir if they’re not paying me.”

This came as a shock to me, honestly, as I am still wide-eyed about the fact that I even have the opportunity to sing in Carnegie Hall once in my life. Now, don’t get me wrong: I have a lot of respect for this individual, I do. She’s wonderful and efficient, and given that the concert is a lot of Jewish music to sing for someone who isn’t Jewish, perhaps I can understand why the music wouldn’t have as much personal meaning for her as it might for me. On the other hand, her statement did get me thinking, as statements often do (and taken out of context as they usually are). The reader of my previous writings will remember that often an utterance I hear sparks a response that was almost completely unrelated to its original context.

“When I perform in a choir, I get paid to do it. It’s not worth my time to sing in a choir if they’re not paying me.”

Such an unfortunate point of view! You’d think that music is something to be passionate about, something one does because, like I said earlier, it is uplifting and powerful and all-around a spiritual experience. You’d think. Well, amend: I think. I honestly don’t know if this woman is typical of musicians all-around. Most musicians I have met will make music on the job or off the job. What happens to someone that something they love becomes a commodity and that’s it? That it is only an essential part of their identity because it allows them to make money and nothing else? How could that happen to someone?

I have no answers, only questions. Unanswered questions. I’ll keep pondering, I suppose.

When Passion Becomes a Commodity

I love music — singing, playing, and watching conductors are all parts of that love, among other things. I sing because it changes my world, however temporarily; I sing because it brightens my day, soothes my soul, and heals my wounds. I have a passion for the music that I don’t have for many other things. Music and I have a great reciprocal relationship: I tend to it, and it tends to me.

As I think about pursuing a career in music, I must ponder the question: what happens when music becomes a commodity? What happens when a person sings or plays so much that the music no longer brings her that joy, that meaning, and instead brings her disdain and arrogance?

This past weekend I had the great opportunity to speak with many different people about their thoughts on music. I was intrigued (I will perhaps write later about last weekend, but I don’t have time for that right now.). I had the opportunity to watch a variety of conductors and musicians perform works that shed so much light on the world in which we currently live. The perfect harmony of the old and the new, in song. When speaking with one woman why she didn’t want to perform with us in Carnegie Hall next week, even though she would have been able had she wanted to, she responded, “When I perform in a choir, I get paid to do it. It’s not worth my time to sing a choir if they’re not paying me.”

This came as a shock to me, honestly, as I am still wide-eyed about the fact that I even have the opportunity to sing in Carnegie Hall once in my life. Now, don’t get me wrong: I have a lot of respect for this individual, I do. She’s wonderful and efficient, and given that the concert is a lot of Jewish music to sing for someone who isn’t Jewish, perhaps I can understand why the music wouldn’t have as much personal meaning for her as it might for me. On the other hand, her statement did get me thinking, as statements often do (and taken out of context as they usually are). The reader of my previous writings will remember that often an utterance I hear sparks a response that was almost completely unrelated to its original context.

“When I perform in a choir, I get paid to do it. It’s not worth my time to sing in a choir if they’re not paying me.”

Such an unfortunate point of view! You’d think that music is something to be passionate about, something one does because, like I said earlier, it is uplifting and powerful and all-around a spiritual experience. You’d think. Well, amend: I think. I honestly don’t know if this woman is typical of musicians all-around. Most musicians I have met will make music on the job or off the job. What happens to someone that something they love becomes a commodity and that’s it? That it is only an essential part of their identity because it allows them to make money and nothing else? How could that happen to someone?

I have no answers, only questions. Unanswered questions. I’ll keep pondering, I suppose.

The Neutralizing Power of Music

In rehearsing with the Zamir Chorale of Boston tonight in rehearsal, I had another stark realization:

Music functions as a remarkable neutralizer.

Do not misunderstand me. I do not mean that music is neutral; it is anything but neutral. However, if you sit in a room in which everyone is unified by the music they produce, everyone is level. Especially in a choral setting, the only important thing is the unified sound. Age, ideology, religious belief, career, or sickness: nothing matters except for the music. It’s brilliant!

… maybe.

The realization that I really discovered was something I hadn’t thought about recently. That is, the realization that I really don’t know anything about the people with whom I sing.

With regard to some of my choirmates, I know their careers; I know that they have children but not necessarily how many; I know their voice parts. But that’s about it. I am conspicuously in the dark about people’s religious beliefs and practices, and the more I think about this, the more it surprises me. This is one of the only religious organizations in which I have ever participated that, of forty people, religious observance is not an “important” element of people’s religious identities. Some grew up religious, some still are, some not. I’m sure that when the choir goes on tours that include Shabbat the religiosity of our constituents is called into play, and is something to be shared. But otherwise, it’s not something that just “comes up” in conversation.

To some extent, I’m neutral about this issue. I find it interesting, but it does not affect me. To another extent, it frustrates me: in all of my other relationships with other Jews, religiosity is a large part of who we are and where we come from, where we go, and what we do.

I’m fascinated by the fact that by nature of our music, we come together, as Jews. We represent one nation, one people, united. Denominational difference transcends us, and our voices mix, as one. That’s all that matters. Jews, from all walks of life. As one we sing.

Almost Atheist

Sitting in the first lecture of a course entitled “Catholicism” at Boston University, Professor Donna Freitas requested that we introduce ourselves by saying our name, our school and major (the usual stuff), but then also to include our own religious backgrounds, and how that drove us to take the course. She explained that our “baggage,” which she says, “some of us carry around with a forklift behind us,” defines our perception of the material we are going to study, and thus it was important for us to know about the “baggage” of those with whom we’re about to share our semester. This survey revealed that the student body in our class is composed of, among others:
— some religious Catholics looking to get an academic perspective on their religion
— some students who grew up nominally Catholic but whose families were never practicing
— one or two Muslims
— two Jews, including myself and an Orthodox friend
— some non-believers or non-practitioners.

While “unloading our baggage,” one student’s response particularly interested me. She said, “I grew up Catholic, but we weren’t really practicing, and I haven’t gone to church in a long time. I would say now that I’m probably almost atheist.

Almost Atheist? Does she mean almost a-religious?

My most handy Dashboard computer-dictionary, crafted by Oxford American Dictionaries, defines atheism as “the theory or belief that God does not exist.” The word is derived, by way of French, from the Greek word atheos, “a-” meaning “without,” and “-theos” meaning “God”. By this definition, can one ever be almost atheist?

I am sure this student didn’t mean her response to be so intensely and excruciatingly scrutinized, and I don’t fault her for this semantic error. It merely gave me fodder for pondering, so I used it to springboard an interesting excavation of thought. but there is indeed at least one great philosopher who can readily fall into the category of almost atheist: Primo Levi.

Primo Levi, author of the famous Holocaust survival memoir Survival in Auschwitz, consistently writes about how he wrestles with the existence of God in the aforementioned book. His beginnings were in an emancipated but Jewish family in pre-World War II Italy, in his twenties ending up in the Auschwitz death camp. Levi was a “non-believer, and even less of a believer after the season of Auschwitz” [Primo Levi, “Shame,” in Art from the Ashes: A Holocaust Anthology, ed. Lawrence L. Langer (New York: Oxford UP, 1995), p. 115]. But Levi’s atheism is unique and interesting: he tells comrades and others time and again that he is an atheist, but occasionally acknowledges that a god exists in whom others legitimately believe. In this way, a number of times in Survival in Auschwitz and in his other writings, Levi essentially says, “God, YOU don’t exist.” He is uniquely defiant in his atheism, explicitly expressing that his belief is optional, that he chooses to resist God.

The same dashboard dictionary that I used to define the term “atheism” also intriguingly gives it the following synonyms: nonbelief, disbelief, unbelief, irreligion, skepticism, doubt, agnosticism; nihilism. Okay, so perhaps I was mistaken in my approach to the word: not that it is defined differently than I originally thought, but that, if “atheism” is legitimately a synonym for irreligion, then perhaps it can also apply in the context in which my classmate used it. Of course: leave it to me, ever to remain the Literal One.

Depicting the Holocaust: A Problem

It is a constant struggle for us to figure out ways to represent the Holocaust that are respectful to those who perished. Often representatives from different groups wish to remind the world what happened in those dark years while Hitler was in power and the Nazi party ruled and ruined the lives of all it enveloped, so that the world can remember and renew our vow again and again that we will do what we can to ensure that it never happens again. The question is always: how?

Today, January 31, 2008, a group in Rio de Janeiro, Brazil was faced with this very issue. The Rio carnival has a reputation of being “a festival recognised worldwide for its joy, humour, entertainment and eroticism,” the lawyer of Fierj, the Jewish federation of Rio, explained in an article about the opposition toward a certain float depicting the Holocaust. He opposed the float because of the aforementioned characteristics, and represented Fierj in their fight against it, saying that “The monstrosity that is the Holocaust just cannot be combined with the excessively festive nature of the carnival.”

According to the same article, “The float is one of several that Viradouro was planning to use as the group parades down Rio’s sambadrome under its theme ‘It gives you goose bumps’. The other floats are set to portray cold, fear and birth.”

Does the memory of the Holocaust give you goose bumps? Does it sometimes infringe on your ability to sleep at night? Of course it does. How about the time of Pogroms? Or the Crusades? Or the Spanish Inquisition of 1492, in which the Church told many pagans, Jews, and others, that they were to convert, be expelled, or die. And yet, Mel Brooks can poke fun at both the Inquisition and the Crusades in his movie, “History of the World: Part I”. What is it about the Holocaust that makes us so opposed to those who want to depict it for an effect? What is it that makes it okay for people to create video games in which the player is a Crusader, reminding us of a time when thousands of Jews, and others, were killed in the name of Jesus Christ, but the idea of a video game in which players play the role of Nazi is abhorrent to us?

Don’t think I’m downplaying our pain still from the Holocaust. I am not. I am asking simply why we don’t share that pain when we think about the other events that were just as horrific? On Yom Kippur we read the martyrology, which tells of ten Rabbis who were brutally murdered in their respective time periods, just for being Jewish. This is perhaps less well-known, but this too doesn’t make you want to vomit?

The fact that people would want to dedicate a parade float to displaying anything resembling the atrocities of the Holocaust sickens me. A memorial is one thing. A display is another.

Try to have some respect for the Dead. They have been through enough.

American Jews or Jewish Americans?

In response to the recent PBS Special called “The Jewish Americans,” Shari Rabin posted in her Chutzpah Chronicles, part of the Washington Post’s “Faithbook,” an entry entitled “My Jewish Identity”. In it, Rabin meditates on Faithbook’s question, THE question, as she dubs it: 

“We know what ‘Jewish identity’ has meant in the past. What will it mean in the future? How does a minority religion retain its roots and embrace change?” 

Rabin expresses her concern that, in this day and age, we are first Americans and then Jews: while we don’t have to choose to do activities that distinguish us as American, we do have to consciously choose activities and friends that allow us to distinguish ourselves as Jewish. We have to actively seek out those Jews in our immediate world, and have to specifically live in places where we know there will be other Jews, lest we assimilate into secular society. I agree with Rabin’s assessment. But, as I posted as a brief comment to her above post, I am more concerned with a different, yet related subquestion: Are we Jewish Americans, as the title of the PBS special  indicates? Or, are we American Jews? Is there a difference?

In discussing this with my father last night, he neatly averted a clear response to the question by saying, “I am Jewish, and I am an American. They’re both adjectives. Why does one have to be more important than the other?” His answer rings somewhat true. I am an American. I have American values, believe in American government, and I thrive while living under American public law. But the core of me is Jewish. I identify with other Jews, anywhere in the world, while I don’t have the same connection with other Americans around the world. I live my life Jewishly, and I keep kosher, keep Shabbat, and let halakha rule my life. On the other hand, my Americana also defines my Judaism: American social values are the reason the Conservative Movement within Judaism started in the first place. The idea of “Tradition and Change” is an idea that can only rule if we are in a society that allows us to practice both, a luxury that not everyone in every country has.

To be a “Jewish American,” I would have to let the “American,” the noun of my existence, be influenced by my “Jewish” adjective nature. To be an “American Jew,” though, allows myself to be defined as a “Jew,” the true noun of my existence, and the core of my character, to be influenced by my “American” adjective nature.

I am an American Jew.

A New Attempt at Blogging

So I have tried this a number of times, and have never really kept it up. Why? Not really sure. But of late I find myself jotting more and more notes on the backs of receipts, only later to look at them and say, “I don’t remember what I was thinking,” or “yeah, that was interesting, but what could I do with this idea?” as I despairingly chuck the scrap into the trash can.

This time will be different. I hope. So much goes on around me which I find it hard to avoid pondering. When you spend your days watching people, just to notice their behaviors, it is very difficult not to notice the thing blaring us in the face: people, in general, are nuts! Everyone around us is odd, and the oddness continues on with us as a society from day to day, from year to year, from generation to generation. As Americans, we have social idiosyncrasies that are not only strange as we perceive them ourselves, but that are also impossible to match anywhere else in the world. Of course, that is not to say that everyone else doesn’t have their own ideas of what is and isn’t insane. And, for the record, I think I have just used four different synonyms for the word “weird” (which is also, by the way, the exception to the i-before-e-except-after-c rule) in the last paragraph. They are all chosen wisely.

You may be wondering about the name, “And Who Are These?”. Or, maybe you’re not, but I feel like musing on it for a few minutes. I don’t fancy myself a “sociologist”. That title implies has a double-meaning for me, in that on the one hand, it will be my musings on the things I see people do and say during the course of my days. On the other hand, it will also be musings specifically on Jews. “Who are you?” is an essential question that each person has to answer, and perhaps I will answer this myself, or I will help you answer it for yourself.

I hope you enjoy what you read. Feel free to post comments on anything I write, and I’ll be happy to listen to your feedback.

Rofei Cholim, u’Matir Asurim

While I was davening this morning, September 6, 2007, I had an epiphany. Sometimes it happens that during davening, a word, a phrase, an idea, will jump out at me. Generally, something I’d never noticed before.

Today, it was in the Amidah. In the first section of the Amidah, we describe God as “Somech noflim, v’rofei cholim, u’matir asurim,” meaning that God (although in Hebrew all in adjective form) “picks up the fallen, heals the sick, and frees those who are imprisoned.”

How are these three ideas connected? Quite frankly, the question has never occurred to me before. As of right now, I haven’t looked at any other text that may have already answered this question, although I’m sure there is one somewhere. In fact, I’m sure that, even if it was never written down, the author of the avot section of the Amidah probably had some rationale in his own mind; but that isn’t what davening from the siddur is all about. Davening is about finding and imposing your own personal meaning on someone else?s universal composition. As I stumbled over these words this morning, I stopped cold in my tracks. Lately I’ve just been blowing through davening as more of a chore than a spiritual experience. Sometimes you have to do that to get the “lo yadati” moment once in a blue moon.

But I digress. What is the relationship between God’s three aforementioned attributes?

The relationship between the first two is easy. Somech noflim, picking up the fallen, and rofei cholim, healing the sick, have an apparent correlation: someone who falls may get hurt. God is the healer of those who are hurt. I relate these not only in a physical sense but also spiritual: someone who has spiritually “fallen” may also need healing. But let us think about the correlation between the second couple: rofei cholim and matir asurim, freeing the imprisoned.

For the last few weeks, I have personally been struggling with the question, “When do we pray for a person to live and get better, and when do we begin praying for him to have an easy death, so that he no longer lives in pain?” Sure, we have his name on the mishebeirach list so that the community prays for his and others’ healing on the days that we read from the Torah; and I add this also to my own personal prayers every time I say the Amidah. But is it in his best interest for us to pray for his healing? Or is it selfish to ask God to keep him here just for us?

Perhaps a person in that state of life — in which people are praying for him and in which doctors are helping him, but in which he is in so much pain that his quality of life will never renewed to the level at which it was and at which he was truly happy — has the status of a prisoner. We are not in a position to make the judgment call about whether or not someone is worthy or wants us to offer our prayers. From this progression in our standard Amidah, and in accordance with our liturgy fro the upcoming High Holidays, we learn that ultimately it is God’s decision: God picks up the fallen, and God heals if the fallen needs healing. Then, if the individual in need of healing is not in need of physical healing but rather is trapped and in a position of true bodily failing, leading to spiritual and emotional failing, God might choose to release him from the prison of This World, and allow his spirit to go happily into the World to Come.